Tuesday, December 28, 2010
CLOTA banquet
Monday, December 27, 2010
In Other News: RCTT Auditions
A Streetcar Named Desire Auditions
Sunday, November 7, 2010
Performance added
Wednesday, October 20, 2010
Monday, October 4, 2010
In other News

IWV baritone signed for Santa Monica Opera
Once again local voice teacher David Hodgson is prepping for a stint on a prominent Southern California opera stage. Next month he will sing the role of villainous Baron Scarpia in the Los AngelesMetropolitan Opera company’s staging of one of the most popular operas of all time, Giacomo Puccini’s “Tosca.”
A major player on the local musical scene since his arrival on the Upper Mojave in 1988, Hodgson has starred in Community Light Opera and Theater Association productions of “West Side Story” and “South Pacific,” and is also well-known for solo appearances with the Desert Community Orchestra.
Despite the time demands of his teaching career here, Hodgson considers himself fortunate to be able to respond occasionally to requests for his participation on a professional opera stage, building on his advanced music studies at California State University Northridge.
“These professional appearances are enjoyable and instructive for me,” the gifted baritone says, “and they enrich my capability for meaningful teaching of my students.”
Los Angeles Metropolitan Opera was founded in 2008 with the mission of providing top-quality, affordable opera performances by the area's best professional singers, directors, designers and musicians. In the company’s presentation of Puccini's timeless story of passion, betrayal, and sacrifice at Miles Memorial Playhouse in Santa Monica, Hodgson will appear Friday evening, October 15, and Sunday afternoon, October 24. He invites persons desiring more information to contact him at 760-371-4276.
Friday, September 17, 2010
Readers' Theater
On September 18th and 19th, CLOTA's Center Stage Readers will proudly present a free staged reading of Shirley Lauro's "A Piece of My Heart."
This powerful and compelling play was adapted from a collection of stories of the same name, written by Keith Walker. Walker's book, which was also the inspiration for tv's China Beach, is succinctly subtitled "The Stories of 26 American Women Who Served in Vietnam." Lauro's play compiles those stories and narrows the scope down to focus on 6 fictional women - three nurses (Anne Schreckengost, Mahealani Taaga, Katherine Fox), an army intelligence officer (Arcee Duag), a Red Cross "Donut Dolly" (Dianna Taylor) and the lead singer of an all-girl band touring with the USO (Mackenzie Lucas).
The play offers a particular challenge for actors – everyone plays multiple roles. As the stories weave in and out of each other, each woman steps into the others' stories, representing instructors and officers, mothers and daughters. One male actor (Evan White) plays all of the American men the women meet along the way. And since a reading is done without the technical aspects of a full production, even the narrator (Ellen Bryant) will be pulling extra duty, creating a myriad of sound effects.
Live readings of "A Piece of My Heart" will be presented at 7:30pm, September 18, & 2pm, September 19, at CLOTA Center Stage, 1425 N Inyo St. Admission is free, but donations are gratefully accepted. This play contains adult content and language.
For further information please call CLOTA at 760-446-2411
Sunday, August 29, 2010
Arsenic and Old Lace: Cast List
Abby Brewster – Dorothy Saitz
understudy Heather Blanchard
Martha Brewster – Annie Blanc
understudy Anne Schreckengost
Mortimer Brewster – Daryl Moline
understudy - Evan White
Jonathan Brewster – Evan White
understudy – Peter Konopak
Teddy Brewster – Steve Slay
Elaine – Kathleen Nicole
understudy - Krysten Coursey
Dr. Einstein – Aaron Wesley
Dr. Harper – John Slate
Officer Brophy – Brian Cosner
understudy – Heather Boster
Officer Klein – Eric Yeager
understudy - Adam Evereett
Officer O'Hara – Kevin Anderson
understudy – Curt Danhauser
Lieutenant Rooney – Andy Konopak
understudy – George "Andy" Anderson
Mr. Gibbs – George "Andy" Anderson
understudy – Adam Everett
Mr. Witherspoon – Curt Danhauser
understudy – Richard Jackson
Dead Bodies – Adam Everett, Krysten Coursey
Police Officers – Richard Jackson, Heather Boster
Monday, August 23, 2010
Arsenic and Old Lace: Audition Notice Press Release 2

Sunday, August 15, 2010
Arsenic and Old Lace: Audition Notice Press Release
CLASSIC COMEDY AUDITIONS
With the floorboards still sizzling from the completely sold-out three-week run of “Cabaret,” veteran Production Director Elena Vitale is preparing auditions for the Community Light Opera and Theater Association's next production, “Arsenic And Old Lace.” Vitale promises that this memorable American farce, a perennial favorite since its record-breaking Broadway début in 1941, will keep Center Stage’s roof beams bouncing with uproarious audience laughter as a pre-Thanksgiving holiday treat.
Friday, August 27 tryouts for 11 male and 3 female roles will begin at 6:00 p.m., followed by a Saturday, August 28 session starting at noon—all at Center Stage, 1425 N. Inyo.
Male actors will be vying to play Mortimer Brewster, a hilarious leading-man role that Cary Grant made famous in the 1944 film adaptation. Mortimer has family problems, including two spinster aunts who feel sorry for lonely old men and have taken to easing them out of their solitude by serving them home-made elderberry wine laced with arsenic, strychnine, and "just a pinch" of cyanide.
Mortimer’s murderous brother, who resembles horror film actor Boris Karloff, and another brother who believes himself to be Teddy Roosevelt illustrate the peculiarity that runs rampant in the Brewster clan. “Is it any wonder,” Vitale asks, “that Mortimer questions whether he should marry his lovely fiancée and start his own family?”
Rounding out the cast are a maniacal plastic surgeon, a quartet of not-too-competent policemen, and an assortment of lovable old geezers with a hankering for elderberry wine.
Vitale and Assistant Director K. Pearl Woolam (fresh from her knockout performance as Fräulein Schneider in “Cabaret) say the characters range in age from the 20s into the 70s. Performance dates are November 5, 6, 12, 13, 14,19 and 20. For more information, leave a call-back request at the CLOTA hotline, 760-446-2411.
Cabaret is sold out!
Saturday, August 14, 2010
One more chance to see Cabaret!
Tuesday, July 27, 2010
Cabaret Tickets Selling Fast!
Tuesday, July 20, 2010
Better Late Than Never...
Emcee…Kevin LaBrie
Sally Bowels… Krysten Coursey
Cliff Bradshaw…Richard MacNeill
Frau. Schneider…Pearl Woolam
Herr Schultz…Bill Blanc
Frau. Kost…Trish Modlinski
Ernst Ludwig…Brandon McGinnis
Kit Kat Girls…Sarah Robinson
Diana taylor
Christa Krugman
Cassie Johnson
Carrie McNatt
Sam Harrison
Sharon Cardoza
Kit Kat Boys…Ala Tiatia
Damon Modlinski
Maitre’d/Customs Officer…Nate Clair
Friday, July 2, 2010
In Other News: Auditions for Escanaba!
Friday, June 4, 2010
In Other News: Star-Spangled Girl
Tuesday, May 25, 2010
The Next Readers' Theater: Charlotte's Web
Chorus - Catherine Duff, Sarah Robinson, & Janice Baldorado
Fern - Mackenzie Lucas
Avery - CJ Sigman
John Arable - Ronnie Quintana
Martha Arable - Theresa Jones
Homer Zuckerman - Gary Schreckengost
Edith Zuckerman - Trish Modlinski
Lurvy - Krysten Coursey
Wilbur - Calvin Johnson
Templeton - Larry Lier
Charlotte - Pearl Woolam
Goose - Stacey Shoaf
Gander - Damen Modlinski
Sheep - Kathryn Garcia
Lamb - Lena Pokol
Sunday, May 16, 2010
Friday, May 14, 2010
Final Weekend for Triple Threat Workshops
Friday, May 7, 2010
In Other News: Burroughs & Cerro Coso Shows THIS WEEKEND!
Friday, April 16, 2010
Readers' Theater: Tartuffe
Thursday, April 8, 2010
CLOTA's Triple Threat Workshop
To help members of the community gain the skills and confidence needed to audition for the plays and musicals put on by the various theater groups in Ridgecrest, the Community Light Opera and Theater Association (CLOTA) will be offering its Triple Threat Workshops this spring. Brainchild of CLOTA board member K. Pearl Woolam, the workshops will be professionally taught and will be staggered in schedule to allow participants to take any and all sessions that appeal to them. Ms Woolam stated that the idea for the workshops came from CLOTA’s constant need for talented and enthusiastic performers for their various productions each year. A need which peaks each summer when CLOTA puts on its musical. “This year is no exception.” Ms Woolam said. “We’re putting on Cabaret this summer which will require several actors who can sing and dance. A lot of potential performers in town might be interested in a part in a CLOTA production but may feel intimidated by the audition process." A “triple threat” is an entertainment industry term for someone who is proficient at acting, singing and dancing and there will be workshops covering each of these disciplines.
The first workshop: Movement, taught by Ms Woolam, will be held each Saturday April 24 through May 15 from 3 PM to 5 PM at Hi-Desert Dance Center and it will teach the basics of movement, moving in unison and to music, picking up and remembering choreography and voice projection while moving. Ms is a 30-year theater veteran of over 40 plays and musicals. She is a graduate of American Academy of Dramatic Arts and San Francisco State University's Theater Department, as well as studying acting and movement with Studio A.C.T. and Shakespeare & Company. She studied a broad range of dance, both locally and in San Francisco, focusing primarily on ballet and ethnic dance. Ms Woolam has put in time behind the scenes, as well, directing and choreographing a number of shows.
In addition to teaching the movement workshops, Woolam will also teach the acting workshop to be held from 10 AM to 2 PM Saturday May 15th and Sunday May 16th from 1 PM to 5 PM. The acting sessions will focus on cold reading for auditions but will also include characterization and projection.
Singing is covered by two workshops in May, one for group singing and another for individual singing. The group singing workshop will include basic vocal instruction, and two songs suitable for auditions will be taught each day. It will be heldfrom 10 AM to 2 PM Saturday May 1st and Sunday May 2nd from 1 PM to 5 PM, taught by Dr. Christine Lee Gengaro. Dr. Gengaro is a full–time Assistant Professor of Music at Los Angeles City College where she teaches voice, music theory and music education. She is a graduate of the Ph.D. program in music history at the University of Southern California, and holds a Masters degree in vocal performance from Hunter College, New York City.
The individual singing workshop will be held May 8th with a possible extra day on May 9th and will allow those who wish to audition with a specific song the chance to work with an accompanist before auditioning. These individual half-hour sessions will be taught by Lauren Loewen, a private voice and piano instructor who has a Bachelors of Music Degree in Vocal Performance from Point Loma Nazarene University.
Persons interested in registration and fees for any of these workshops may leave a request for a return call on the CLOTA hotline 446-2411, or
leave a comment on this post.
Thursday, March 11, 2010
Readers' Theater: Actors needed for Tartuffe
The cast is large, the style is over the top comedy, and the text is in rhymed couplets, so it will be a challenge, but should also be a load of fun.
Initial read-thru will be at 5pm (after the Proof matinee) on March 14. After that, actors will have four weeks to familiarize themselves with the script and their character. Rehearsals will be April 12-15 (Monday-Thursday) in the evening. The performances are April 17 & 18 (matinee).
I have a .pdf of the translation we will be using, which I am willing to email to anyone. Questions can be directed to Pearl at pearlwoolam @ gmail.com.
Tuesday, March 2, 2010
PROOF!
Rachel Schmalenberger
Andrew Grey
John Slate
K Pearl Woolam
directed by Barbara Roberts
Dates
March 5, 6, 12, 13, 19 & 20 @7:30pm
March 14 @ 2pm
Tickets
$8 Opening Night & Matinee Special
$12 general admission
$10 seniors/ students/ active-duty military
This show contains adult language and situations.
Monday, February 15, 2010
In Other News: Cyrano de Bergerac at Burroughs
In Other News: David Hodgson in "Der Freischütz."
IWV BARITONE REIGNS ON NORTHERN CALIFORNIA OPERA STAGE
David Hodgson, local voice teacher and frequent performer in concerts and other musical presentations throughout our valley, is currently appearing as Prince Ottokar in the West Bay Opera Company’s production of the landmark German Romantic opera “Der Freischütz” in Palo Alto.
Hodgson, who first came to Ridgecrest in 1988, has been applauded by local audiences for his acting and singing performances in such CLOTA hits as “South Pacific,” “West Side Story” and “Amadeus.” He has been featured soloist on a number of Desert Community Orchestra programs, and at the DCO’s recent holiday gala, “A Christmas in Ridgecrest,” he also led an ensemble of his voice students in a group of crowd-pleasing holiday favorites.
Hodgson’s acting, singing and teaching skills were honed through his years in a performing arts high school in Houston, as an undergraduate at the University of Texas in Austin, and at California State University, Northridge.
It was in Northridge that he undertook private study with master vocal coach Gabriel Reoyo-Pazos, an association that continues—“to my enormous benefit!” Hodgson says—to the present. Reoyo-Pazos was instrumental in booking some of Hodgson’s earliest engagements with professional opera companies. In addition to the Palo Alto organization, these have included Pacific Repertory Opera in San Luis Obispo and Pasadena’s Euterpa Opera Company.
The Ridgecrest baritone says he especially values the opportunities he has had to work with composers and librettists in premiering new operas. These have included John Biggs’ adaptation of the literary classic “Hobson’s Choice,” and “Serafina y Arcángela” by Enrique Gonzales-Medina.
He points out that his collaboration on new works actually originated here in Ridgecrest when he joined playwright-composer Bill Blanc’s team to premiere “The Bungling Ballerinas” for CLOTA on the BHS stage in 1990. “To be there as a new work becomes realized on stage,” he says, “to be a part of that process is fascinating.”
“I do enjoy performing,” Hodgson muses, “but I think my first love is teaching voice. I miss my students when I’m away, but keeping active in the profession allows me to bring a perspective to my lessons that’s invaluable to students.”
Hodgson has been singing with the West Bay Opera for the past several seasons. He has been featured in “Cavelleria Rusticana” and “I Pagliacci,” among others, and this past October his interpretation of Marcello, male second-lead in “La Bohème,” drew praise from the Bay Area arts publication The San Francisco Classical Voice for his “secure, chocolate-y baritone voice.”
His run as the benevolently clever prince in “Der Freischütz” ends within the next two weeks, and Hodgson expects to resume his teaching activities in Ridgecrest in early March. He urges anyone desiring more information about West Bay Opera to visit the company’s website at http://www.wbopera.org/ or to contact him at 1+760-371-4276.
"PROOF" PRIZES ADD UP TO PRIME ENTERTAINMENT

The Community Light Opera and Theater Association's upcoming stage offering, “Proof”—opening March 5 at Center Stage—swept the 2001 Broadway season’s awards for best play. Judges for the Pulitzer Prize, the Tony, the New York Drama Critics’ Circle Award, the Drama Desk Award and the Lucille Lortel Award all chose playwright David Auburn’s fascinating exploration of the questionable line between intellectual virtuosity and delusional folly.
New York Magazine compared Auburn to “Arthur Miller and Eugene O'Neill and Lillian Hellman, in earlier generations … always writing about big ideas and wrapping them in family squabbles that get us where we live.” The New York Daily News critic noted that the play “combines elements of mystery and surprise with old-fashioned storytelling to provide a compelling evening of theatre.”
The often-humorously squabbling family in "Proof" consists of a brilliant but unstable University of Chicago math professor (played by John Slate) and his two daughters. One of these young women (K. Pearl Woolam) is a no-nonsense Manhattan currency analyst who finds herself estranged from her younger sister (Rachel Schmalenberger.) The latter has remained on home ground to nurse their father through lengthy periods of mental illness. An ex-graduate student (Andrew Gray) triggers complex results—some droll, some daunting—when he discovers a paradigm-shifting proof of advanced theoretical mathematics among the professor’s notes and raises the question of its authorship: is it the work of the virtuoso mathematician himself or of his stay-at-home daughter?
CLOTA Director Barbara Roberts thinks “the audience will enjoy seeing how this all works out as much as we’ve enjoyed putting it all together.” Because of the nature of the play’s subject matter and contemporary language CLOTA recommends this production for mature audiences.
Following its March 5 début, "Proof" will play 7:30 evening performances March 6, 12, 13, 19 & 20. A Sunday matinee begins at 2:00 on the 14th. Doors open 30 minutes before lights-up time. Center Stage is at 1425 N. Inyo.
Tickets are available at Red Rock Books: $12 general admission, $10 for seniors, students, enlisted active-duty military and CLOTA members; all tickets for opening night and the Sunday matinee are special-priced at $8.00. For more information, please leave a callback request on the CLOTA hotline: 1+760-446-2411.
